Showing posts with label author spotlight. Show all posts
Showing posts with label author spotlight. Show all posts

Saturday, October 1, 2016

Story Behind Write This Down - Guest Post

Mills, Claudia. Write This Down. Farrar, Straus and Giroux (BYR, Macmillan), 2016. 256 pages. $15.99. 978-0-37430-1644.

Affiliate Links: Amazon | IndieBound | Book Depository

Read my review - Write This Down Blog Tour



Read on to find out how Claudia Mills learned from her character, Autumn Granger, as well as her own life to pen Write This Down.





The Story Behind the Story

Most authors get their ideas in some way from their own lives. I know I do. I draw on childhood memories of growing up in New Jersey with my sister; I steal incidents my two sons brought home from elementary and middle school; when I do author visits at schools around the country, I think of myself as an undercover agent, there to scout for something wonderful to write about.

But when stories are inspired by real life, authors face tough ethical questions. Do we have the right to borrow material from other people’s lives? What if the stories we use are embarrassing or painful (which, after all, tend to be the best ones!)? But if we decide that we shouldn’t draw on real life, how on earth are we going to write stories that have that deep believability, that essence of truth?

The desire to explore this ethical dilemma was the impetus for Write This Down. At first I knew only that I wanted to tell the story of a girl who loves to write, who yearns to be published, and who faces a wrenching choice when she finally has the chance to achieve her dream, but at the cost of exposing something intensely personal about someone she loves. I figured that as my character wrestled with what she should do, it would help clarify my own deliberations. I tend to write the books that I most need to read.

I wanted to make things as hard as possible for my character, Autumn Granger; we authors have to harden our hearts to amp up the difficulty of any choice a character needs to make. So I thought. . . what if one of the main reasons Autumn is so determined to be published is to impress her idolized older brother, Hunter, who used to be her chief protector, but now openly mocks her writing? What form of mockery would be most painful? Ooh, what if he takes a secret poem she’s written to her crush, and reads it to his friends, who include the crush’s older brother? I saved notebooks filled with love poems I wrote in junior high to various boys with whom I fell in and out of love. I copied one of them, almost verbatim, to be the poem Hunter mocks in the book.

Still brainstorming, I asked myself: what if Autumn has the chance to be published by writing something about that very brother? What if her essay reveals what she herself discovers in the course of the book: the reason why her brother has changed so much toward her, a reason that has to do with Hunter’s own past heartbreak, his own inner demons?

Autumn and Hunter are both fictional characters, of course. I had a younger sister, not an older brother. (I wrote about that relationship in an early book of mine, The One and Only Cynthia Jane Thornton, about a girl who tries to distinguish herself from her one-year-younger sister, Lucy. After reading it, my sister said she now planned to publish her own book called Cynthia and Lucy, The Real Story: At Last It Can Be Told.) But as an aspiring writer, Autumn is nonetheless like me in so many ways. Certainly she smarts under rejections just as I did at her age, and still do. In fact, the program Autumn attends at the public library, where two literary agents scathingly critique attendees’ manuscripts on the spot, was inspired by a similar program I attended recently. Even as the author of almost 60 published books, I left close to tears at the reaction my work received.

I wasn’t sure until I got to the conclusion of the book what I would have Autumn decide about her ethical dilemma. In the end, I felt as if I were merely scribbling down what transpired as Autumn made her own choice, as characters tend to do. But watching Autumn weigh the joys of publication against its costs and betrayals helped me sort through these issues.

We base our characters on ourselves. But we end up learning from them, too.

Thursday, May 28, 2015

Movie Magic by Julie Mata - Guest Post and Giveaway - May 2015

Mata, Julie. Kate Walden Directs: Bride of Slug Man. Disney-Hyperion, 2015. 288p. $16.99. 9781423194606.

from Goodreads:
After her huge success with her first feature-length movie, seventh-grader Kate Walden is eager to start on her next film, a sci-fi romance called Bride of Slug Man. When a new kid comes to town from New York City, Kate thinks she might have a new found film buddy-someone to share her interest with. And it doesn't hurt that he's pretty cute. But it turns out that Tristan is making his own movie, and now the classmates Kate thought were eager to join her cast and crew are divided.

With rumors spreading in school and between sets, Kate finds herself juggling more than just call times and rewrites. And judging from the whispers Kate hears about Tristan Kingsley,she suspects that he isn't interested in having a fellow film-buff friend; he just wants to prove himself as the best filmmaker in school by winning the Big Picture Film Festival. Kate vows to enter too, and tries to focus on just making the best movie she can.

But between the cutthroat popularity contest, a bully situation that goes from bad to worse, and several on-set mishaps, Kate is going to need all the movie magic she can get to make sure Bride of Slug Man hits the big-screen

Read on to find out what Julie Mata has learned about director's tips and how she incorporated those into the Kate Walden series.

Movie Magic 

in 

Kate Walden Directs: Bride of Slug Man


By Julie Mata


In the movie Super 8, there’s a moment when a band of kids is shooting a movie scene at a train depot late at night. Suddenly, a real train hurtles out of the darkness toward them. The director, a kid named Charles, shouts “Production Value!” and feverishly tries to film while the train is passing by. This scene makes me laugh because it’s so true. Directors will do almost anything to add extra sizzle—also known as production value—to their movies.

In Kate Walden Directs: Bride of Slug Man, twelve-year-old Kate is dying to make a science fiction movie but her best friend longs to star in a romance. In Kate’s mind, flying saucers and aliens add sizzle. Romance does not. Throughout the story, she bounces between wanting to keep her friends happy and trying to make the epic sci-fi flick of her dreams.

One of the great parts of writing about a character who makes movies is that I get to research all kinds of fun filmmaking facts. To get ideas for a flying saucer, I laughed through the epically bungling movie Plan Nine from Outer Space, which won director Ed Wood the dubious title of Worst Ever Movie Director. Ed didn’t have a budget for fancy special effects so he tied fishing line to a toy UFO and dangled it in front of the camera. In an homage to Wood, and because it’s exactly what a twelve-year-old would do (sorry, Ed), Kate gets her UFO shots the same way.

Kate even uses a technique called forced perspective to make her flying saucer look life size. It’s all about putting small objects close to the camera lens to make them look huge, and placing people far off in the distance to make them look small. Kate feels pretty pro when she learns that Steven Spielberg used the same technique in Close Encounters of the Third Kind to make a model ship tanker look real. (And I felt pretty pro writing about it.)

Of course, some of the lessons Kate learns can’t be found in a moviemaking how-to manual. She learns the hard way that you don’t have to be a big-time Hollywood director to end up with a big-time Hollywood ego. She also struggles with bullies, friendship dramas, and wardrobe malfunctions while trying to finish her movie.

Writing about Kate has allowed me to combine two of my passions—moviemaking and writing. I’m no Spielberg but I did write and direct a short film once called Bus Driver. You can check it out on YouTube but be warned, it doesn’t have cool flying saucers or alien creatures from Mars. I guess I was out-sizzled by my own MC.


About the Author

Julie Mata grew up outside Chicago and currently lives in Wisconsin, where she owns a video production business with her husband.. She loves movies and once wrote and directed her own short film. She also loves traveling, gardening, and reading a really good book. Her first book was Kate Walden Directs: Night of the Zombie Chickens. For more information, including a downloadable curriculum guide and a filmmaking tip of the month, visit her website: juliemata.com.

Find Julie on Twitter: @juliehmata

Kate Walden Directs: Bride of Slug Man - Book Trailer


Find more Kate Walden videos on her YouTube Channel! 

You can receive a copy of BOTH Kate Walden Directs: Night of the Zombie Chickens and Kate Walden Directs: Bride of Slug Man! US Only. One entry per person/email. Ends 6/4/15 11:59 pm.


Stops on the Blog Tour

Monday, May 18
GreenBeanTeenQueen
Wed. May 20
Once Upon a Story
Thurs, May 21
Read Now, Sleep Later
Fri, May 22
Curling Up with a Good Book
Tues, May 26
The Haunting of Orchid Forsythia
Wed, May 27
BookHounds YA
Thurs, May 28
The Brain Lair
Fri, May 29
Kid Lit Frenzy

Thursday, December 11, 2014

Books of Influence by Dorothy Hearst - Guest Post - December 2014

Hearst, Dorothy. Promise of the Wolves. Simon and Shuster, 2009. 363p. $16.00. 978-1416569992.


What is the promise of the wolf? Never consort with humans. Never kill a human unprovoked. Never allow a mixed-blood wolf to live. At least that's what the wolves of the Wide Valley believe. Until a young wolf dares to break the rules--and forever alters the relationship between wolves and the humans who share their world.

Read below to find out what book inspired a young  Dorothy Hearst and how that influenced her series.




There were so many books that influenced The Wolf Chronicles that I could never list them all. 

Here are some of the books I read as a pup—between the ages of eleven and thirteen—that I know led me to the wolves.

The magic of what if:
Madeleine L’ Engle’s A Wrinkle In Time and Peter Dickinson’s Changes trilogy

I remember finishing A Wrinkle in Time, setting it down and thinking “I didn’t know you could do that.” I didn’t know that people were allowed to write about what was known, then—when arriving at what wasn’t known—make stuff up. I knew I wanted to do that. Peter Dickinson’s Changes trilogy is the story of England thrown back into the Middle Ages. I don’t want to give away the ending, but there’s a huge “what if” that drives the story. I had the same reaction at the end of it that I had to A Wrinkle in Time. You can do that? 

“What ifs” ended up at the center of The Wolf Chronicles. What if wolves domesticated us as much as we domesticated them? What if this story was told through the eyes of a young wolf who saves the life of a human child? And then there were all these wonderful gaps in our knowledge about wolf and human evolution that I could fill in with the story.

The animal’s perspective:
Richard Adams’ Watership Down 

When I set out to write about how the wolf became the dog from the wolf’s point of view, I wanted my wolves to be fully-drawn characters, and also realistic wolves. The first book I thought of was Watership Down, which a cousin had given me when I was eleven. I’d gobbled it up. When I started writing about Kaala’s adventures, I remembered how Adams had written his rabbits so that their needs and goals were as important as any human’s, and I modeled the wolves on that. I’d also been miffed that Adams’ female rabbits were so passive, so I got to set that right with Kaala.

Interspecies devotion
Anne McCaffrey’s dragons

I read the first four Pern books the summer I was thirteen. I was entranced by the relationship between the riders and their dragons and, even more so, fifteen-year-old Menolly’s love for her fire lizards. To this day I can feel how much I wanted a fire lizard. The dragons and fire lizards had very clear personalities, but they were definitely not human. The connection between human and nonhuman stayed with me.

A young female character in the center of a complex world 
A Tree Grows in Brooklyn by Betty Smith

The cousin who gave me Watership Down gave also gave me A Tree Grows in Brooklyn. I loved how Francie moved through a complex world with clear vision and a solid sense of herself. There was no breathlessness or silliness about Francie like there was in so many girl characters I’d read. I skipped through much of the adult perspectives and kept coming back to Francie and how she quietly, but steadily and firmly, found her way in the world.

About the Author
Before the wolves barged in the door, demanding that their story be told, Dorothy Hearst was a senior editor at Jossey-Bass, where she published books for nonprofit, public, and social change leaders. She currently lives, writes, and plays with dogs in Berkeley, California. Spirit of the Wolves, the third and final title in the Wolf Chronicles, will be released December 2. For more information, and to download free CCSS-aligned discussion questions for all three novels, visit her website: dorothyhearst.com.

Check out all the stops on the Wolf Chronicles blog tour!
Mon, Dec 1             Novel Novice                          http://novelnovice.com/
Tues, Dec 2            The Book Monsters                 http://thebookmonsters.com/
Wed, Dec 3             SLJ Teen                                 http://www.slj.com/tag/sljteen/
Thurs, Dec 4           I Am a Reader, Not a Writer   http://www.iamareader.com/
Fri, Dec 5                I Read Banned Books             http://www.jenbigheart.com/
Mon, Dec 8             Library Fanatic                       http://www.thelibraryfanatic.com/
Tues, Dec 9             YA Book Nerd                       http://yabooknerd.blogspot.com/
Wed, Dec 10           Read Now, Sleep Later          http://www.readnowsleeplater.com/
Thurs, Dec 11         The Brain Lair                        http://www.thebrainlair.com/
Fri, Dec 12              Unleashing Readers               http://www.unleashingreaders.com/
Sat, Dec 13             The Children's Book Review  http://www.thechildrensbookreview.com/

Tune in tomorrow for a review and a chance to receive all 3 books in the series!

Thursday, June 26, 2014

Tools of the Trade by MK Hutchins - Guest Post - June 2014

Hutchins, M.K. Drift. Tu Books (Lee and Low), 2014. 392p. $19.95. 978-1-62014-145-8.

Pick up your copy of Drift (affiliate links) Amazon | Indiebound and stop by tomorrow for my review.

Drift follows Tenjat, 17 as he tries to carve out a life for his sister Eflet and himself. They lost their parents five years ago as they were escaping their previous island home, Island Ita.  Tenjat is determined to escape the life of a farmer hub and become a Handler on Island Gunaji to give Eflet the future she deserves. The future he promised his father he would give her.
Read on as M.K. Hutchins talks about flintknapping obsidian and how that helped define her worldbuilding in Drift.

Years ago I sat in a room with a tarp-blanketed floor, holding a chunk of obsidian in my hand. Some of the exterior of the rock remained – gray and pitted like a crumbling piece of city sidewalk. Inside, though, the obsidian gleamed: black as ink, glossy and glittering as polished jewelry. The stuff is practically magic.
Using a piece of antler or a round, smooth stone, I struck at the obsidian, trying to fracture off a long flake in a process known as flintknapping. Any badly-angled strikes could produce a bad flake or – worse – cause imperfections inside the stone that would make further flintknapping difficult. My protective leather gloves were soon spiderwebbed with thin cuts, even though I worked with care. Freshly flintknapped obsidian is far sharper than surgical steel scalpels. When the class was over, we gathered up those tarps and safely disposed of the obsidian in accordance with hazardous waste regulations.
Beyond the beauty and the skill and the danger, I also admired the technology I was trying to learn. It would be wasteful to take one chunk of obsidian and knap it down into a single tool. Ancient peoples figured out how to make cores. They looked somewhat like tapering cylinders with a flat striking platform on top. From that platform, an experienced flintknapper could knock of blade after blade, utilizing almost every bit of the beautiful stone.
And the Classic Maya were virtuosos of flintknapping. They didn’t just make tools and weapons, they made art, called flint eccentrics. By striking off flakes, they crafted delicate, graceful patterns and profiles of human faces. Every time I look at one of these, I think of how one misplaced blow during the manufacturing process could have snapped and ruined the entire thing. The technology to create these is lost – modern flintknappers can’t recreate them.
I never became a great flintknapper, but I’m still a little obsessed with obsidian. Fantasy is a genre defined by setting. It’s part of the reason that I, at least, read fantasy. I want to become immersed in a world, in the smells and sounds and tastes.

Drift was largely inspired by Maya mythology, and I wanted to pay homage to that. Often, fantasy is a realm of swords, blacksmiths, and horses, but I wanted to step away from that. I wanted jungles and plaster, howler monkeys and turkeys. And I wanted obsidian – with all its danger and beauty. In the novel, the use of stone tools is just one aspect about the world, but it made the world more real to me.
Sample Chapters of Drift
MK Hutchins blog
MK Hutchins Twitter

Blog Tour
June 19: John Scalzi’s Whatever Blog - M.K. Hutchins on worldbuilding and cultural ecology here
June 20: Supernatural Snark – M.K. Hutchins on being inspired by Maya mythology here.
June 23: It’s All About Books – M.K. Hutchins’ top 5 most influential books here.
June 25: Read Now Sleep Later - Drift GIVEAWAY here.

Saturday, August 31, 2013

Small Actions by Uma Krishnaswami - Guest Post - August 2013

Krishnaswami, Uma. Problem with Being Slightly Heroic, The. Atheneum Books for Young Readers (Simon and Schuster), 2013. 288p. $16.99. 9781442423282.



Read on and find out how you don't have to be the main character to keep the story moving. Also, take a sneak peak at Alana, Ollie, and Chef!



Small Actions That Count: 
The Role of Alana 
in 
The Problem With Being Slightly Heroic

Romantic love played a larger-than-life part in The Grand Plan to Fix Everything, in Dolly’s disarrayed love life, but it also had a smaller, quieter place in the characters of Lal the postman and his wife Lila. They were a kind of glue that held the story together. Lal carried the letters back and forth, but it was Lila who gave him the support and courage to speak up at the moments when that was needed. Lal and Lila, of course, could not travel to the United States for the grand opening of Dolly’s movie in The Problem with Being Slightly Heroic. As I wrote the second book, it became clear to me that their places needed to be filled.

Because of Dini’s fan letter, and Lal’s job, mail and the delivery of mail was very important in The Grand Plan. A cake and catering took up that spot in the second book, so it was only natural that the related action of this subplot would shift from post offices in India to the kitchen of an irascible chef in Washington, DC.

Enter Alana. She’s the sous chef. She’s competent, ambitious, and sensible. Dini, our protagonist, is in awe of her. Ollie the line cook—well to paraphrase a poem of a couple of centuries ago, Ollie laughs with delight at Alana’s smile and trembles with fear at her frown. He recognizes in Dini a kind of Alana-in-progress. Like Lal and Lila, Ollie and Alana are a team, and the fact that they’re falling head over heels in love is something our young characters are keeping a sharp eye on as well. Plot-wise, this resonates with Dolly’s Bollywood movies and offers Dini a kind of real-life envisioning of something yet to come in her own life, something magical and grownup and nearly impossible.
Alana with Ollie and the Chef

Alana is very much the glue that holds Ollie together, but she’s also the one who can speak truth to the bad-tempered chef, which in turn allows him to change and grow. Who but Alana would have the courage to meet Dolly’s unusual meal requests, combining ingredients that would surely outrage the chef? She’s the character who helps the slight heroics of the book gain momentum, becoming a dance of small actions that count.

About the Author
Uma Krishnaswami is the author of several books for children, including the first story featuring Dini, http://www.umakrishnaswami.com/.
Maddie, and Dolly, The Grand Plan to Fix Everything. She is also on the faculty of the Vermont College of Fine Arts MFA program in Writing for Children and Young Adults. Ms. Krishnaswami was born in New Delhi, India, and now lives in Aztec, New Mexico. To learn more, visit her website:





Book Trailer


Follow the Blog Tour
Mon, Aug 19
GreenBeanTeenQueen

Tues, Aug 20
There's a Book
Wed, Aug 21
Once Upon a Story
Thurs, Aug 22
The Compulsive Reader
Fri, Aug 23
Sharpread

Sat, Aug 24
Booking Mama

Mon, Aug 26
Read Now, Sleep later

Tues, Aug 27
I Read Banned Books

Wed, Aug 28
Through the Wardrobe

Thurs, Aug 29
The Book Monsters

Fri, Aug 30
The Brain Lair
HERE!

Friday, August 23, 2013

Catching a Moment by Kathi Appelt- Guest Post - August 2013

Appelt, Kathi. True Blue Scouts of Sugar Man Swamp,The. Atheneum Books for Young Readers (Simon and Schuster), 2013. 336p. $16.99. 9781442421059.

If you're looking for a great middle grades novel that BEGS to be read aloud - look no further than the True Blue Scouts of Sugar Man Swamp by Kathi Appelt!

 Keep reading below to find out why Grandpa Audie carries a Polaroid Land Camera. You'll wish you carried one too!

Cameras and Birds and Other Surprises
My father loved cameras, and he loved taking photographs. But he never owned a Polaroid Land Camera, at least not one that I can recall. However, our neighbor across the street, Tom Cunningham, owned one. And about the time that my sisters and I ranged in ages from 5 (me) to 3 (my youngest sister B.J.), with Patti (4) in between, Uncle Tom as we called him, walked across the street one night with that big, fat camera and took a group shot of the three of us.

That photo is long gone, but I definitely remember it. Patti was sitting in the middle atop our overstuffed living room chair, and B.J. and I sat on the opposite arms, straddling them like we might straddle a pony. To say that we looked goofy would be an understatement. We were all in our summer nighties, too, which added to the goofy charm. A scruffy trio of sisters, our hair still wet from our nighttime baths, and our faces scrubbed and shiny, looking directly into the camera, looking surprised.

It was a sweet photo, and my father treasured it for many years, long after it was taken.

The thing about a Polaroid was that it was automatic. There, right in front of you was an instant photo. I know that these days, with digital photos, that’s nothing new. But back in the late fifties and early sixties, photographs were anything but instant. The Polaroid was an exception. It didn’t require a darkroom, it didn’t require a two-week wait while you sent the film off to a lab to have it processed and hoped like crazy that at least one photo had merit.

But the Polaroid had requirements nonetheless. I remember watching Uncle Tom. As soon as he took the photo, he popped the melted flashbulb out of the camera where it dropped into the palm of his hand. There he bounced it up and down to keep it from burning his skin. “Don’t touch,” he told us.

Then he pulled the film out of the back of the camera and waved it back and forth in the air. If he had said the word, “abracadabra” it couldn’t have been more magical.

While we watched, he carefully peeled the film apart. Then, he took a lipstick-shaped tube of fixer and rubbed it over the finished photo. Voila! He held it front of us and said again, “Don’t touch.” It wasn’t hot, but it was still sticky from the fixer. A touch would leave a fingerprint that would never go away.

We gathered around. There we were, three small girls smushed together on the chair, only minutes older than we were when he snapped the shot. We were fascinated. But not as much as our father. He loved Mr. Cunningham’s Polaroid Camera. And he loved us, his three daughters. He kept that photo for as long as he lived, and by the time he died, forty years later, it was so faded that you had to know what was on the surface of it to actually see it.

What I know about that long-gone Polaroid photo is that it was important to my dad. And thinking about it, it’s still important to me. It reminds me of my two sisters and me and how many moments we shared together, the three of us taking up space together, happy. 

So, when I thought about my character Audie, and his quest for the Ivory-billed Woodpecker, it seemed important to me that he use a Polaroid Land Camera, not necessarily because it was the only camera in town, but because it reminded me of the wonder of catching a moment in time that can’t really be repeated, only treasured. 

I suppose every photo is like that, to a certain extent. But there was something magical about that Polaroid process—the melty flashbulb, the film being pulled out of the back of the camera, the lipstick-shaped tube of fixer. Everything had to happen in a certain order for the magic to occur. 

When I sit down to write my stories, I think hard about the objects that my characters use and carry and treasure, because I think they say something about the characters themselves. But sometimes, like it was with the Polaroid, I simply hand over to my characters something that I loved too. I loved Tom Cunningham’s Polaroid camera. I loved my dad and sisters. I especially loved the surprise of it all. And that is the very best part of all about writing and reading stories. Sometimes, if you’re lucky, you even get a photo, like my character Audie did, of a surprised armadillo. Or a bird that was so beautiful people said, “Lord God,” whenever they saw it fly over their heads. 

We might not be able to get the Polaroid back. But maybe we can find the bird. Lord God, I hope so.

What Kathi's Reading
And speaking of surprises, I’m right in the middle of reading Uma Krishnaswami’s new book, The Problem with Being Slightly Heroic. It had me from the very first page. (The Brain Lair will be talking about The Problem With Being Slightly Heroic next week! Make sure you tune in!)

More about Kathi Appelt
Kathi Appelt is the author of the Newbery Honor-winning, National Book Award finalist, PEN USA Literary Award-winning, and bestselling The Underneath as well as the highly acclaimed novel Keeper, The True Blue Scouts of Sugar Man Swamp, and many picture books. She is a member of the faculty at Vermont College’s Master of Fine Arts program. She has two grown children and lives in Texas with her husband. For more information, visit her website at http://www.kathiappelt.com/.

Watch these two rascally raccoons in the most adorable book trailer ever:



Be sure to visit Kathi’s other stops on her blog tour!

Mon, Aug 12
GreenBeanTeenQueen
http://www.greenbeanteenqueen.com/2013/08/blog-tour-true-blue-scouts-of-sugar-man.html

Tues, Aug 13
There's a Book
http://www.theresabook.com/2013/08/author-interview-and-giveaway-20-questions-with-kathi-appelt/

Wed, Aug 14
Bigfoot Reads
http://www.bigfoot-reads.blogspot.com/2013/08/the-true-blue-swamp-scouts-of-sugar-man.html

Thurs, Aug 15
Read Now, Sleep Later
http://www.readnowsleeplater.com/2013/08/the-true-blue-scouts-of-sugar-man-swamp.html

Fri, Aug 16
I Read Banned Books
http://www.jenbigheart.com/2013/08/guest-post-giveaway-true-blue-scouts-of.html

Sat, Aug 17
Booking Mama
http://www.bookingmama.net/2013/08/kid-konnection-true-blue-scouts-of.html

Mon, Aug 19
The Compulsive Reader
http://www.thecompulsivereader.com/2013/08/interview-with-kathi-appelt.html

Tues, Aug 20
Mother Daughter Book Club
http://motherdaughterbookclub.com/2013/08/interview-with-kathi-appelt-author-of-the-true-blue-scouts-of-sugarman-swamp/

Wed, Aug 21
The Book Monsters
http://www.thebookmonsters.com/author-interview-kathi-appelt/

Thurs, Aug 22
Sharpread
http://sharpread.wordpress.com/2013/08/22/54321-interview-kathi-applet/

Fri, Aug 23
The Brain Lair
You are here!

Wednesday, July 17, 2013

Cut It Out! The Art of Revising - John Anderson Guest Post - July 2013

Anderson, John. Sidekicked. Walden Pond Press (HarperCollinsChildren), 2013. 373p. 16.99. 978-0-06-213316-8.


Andrew "Drew" Bean is a Superhero Sidekick. Or he would be if his assigned Hero, Titan, wasn't too busy at the bar to meet with him. Or save him. Drew is tired of being saved by someone else's hero and decides to track the Titan down.

In addition, he's struggling with feelings for his longtime best friend, Jenna, who lately appears distant.

Too much uncertainty. Too much at stake. And now the dead returns. Argh! What's a Superhero Sidekick to do?

Pick up your copy today! Affiliate Links Amazon
| Shop Indie or your local bookstore!

Read below to Uncover a DELETED SCENE from Sidekicks!
Thanks for sharing, John Anderson!

Stephen King once said that "revising a story down to the bare essentials is always a little like murdering children, but it must be done." Personally I'm not sure it's ever that intense, but it's always a melancholy moment parting with passages you've toiled over in the interest of keeping the narrative clicking.
Looking back at the material that didn't make it into Sidekicked, and thankfully there wasn't that much, I'm struck by one moment in particular: a moment between Drew and his father where our protagonist is suddenly in danger of being "outed." It was cut because, plot wise, it added nothing. But it's nice to see Drew struggle with the secrets he’s keeping. This passage came after Drew skips school to find the Titan.
            That night my father comes into my room, which is unusual. For starters, my mother is always the envoy when it comes to parental intervention. Plus, I can always hear them whispering about me before she comes—setting their game plan, making sure they present a unified front before they tell me that I’m not allowed to stay out past 11:00, or that I need to cut down on my screen time. Add to this the fact that Dad’s pretty much the poster child for type B personality; he avoids confrontation like a Swedish diplomat. Our daily conversations generally follow one of four well-established scripts with only subtle variations in subject matter, so that, at times, talking with him is like filling in a Mad Lib.
            So I’m surprised to see him standing at my door. With a peace offering, no less.
            “Want a Coke?”
They are the actual bottles, not the cans. I didn’t even know they made Coke in bottles anymore. I wonder if he keeps them stored in some secret vault in the garage. I can't imagine either of my parents having any secrets.

He comes in and sits down at the foot of my bed. I wonder what I’ve done now. Is this really about playing hooky today? I thought maybe I had hugged that one out.

Or maybe somehow Mr. McClain looked a little too closely at my math test, comparing it to Natalie's, and called my parents, though I’m sure I would have picked up on that conversation as well.
            Then it dawns on me. Maybe this is it. With everything that has been going on, they’ve finally put it all together. Maybe this is the conversation that I’ve been dreading for over a year.
            Maybe they figured it out back with the pool incident and were just waiting for the right time to bring it up. Maybe that’s why she sent him: Because she can’t quite come to grips with the fact that her only child spends part of his day with a mask over his face and smoke grenades straddling his hips, learning how to defuse bombs and smelling his friend’s bottled farts. Another guy might understand all of that better. After all, I'm sure my father read all about superheroes when he was my age too.
            Or maybe they found the stuff in my closet—the ultrasonic emitters and the paralyzing darts—and they think I'm part of some kind of terrorist sleeper cell. I haven’t overheard any phone calls with the FBI, but what would you think if you found grenades in your teenager's closet? Suddenly a stash of dirty magazines doesn't sound so bad.
            Or maybe this is that conversation. The one that those advocacy groups beg your parents to have with you. And that’s why she sent Dad.
            God I hope it’s not that. I haven’t even been to second base yet (and I pretty much bunted my way onto first). Besides, isn’t that pretty much the a whole point of going to high school—which wasn't too far away, really—to learn all about that stuff so you didn't have to talk to your parents about it?
            My father hands me a Coke and I take a drink out of politeness. It tastes a little flat.
            “Son,” he says, looking at me with his head kind of cocked, his lips pressed together. Conversations that start with “Son” and are followed by a significant pause are always uncomfortable. I let the pause linger for a moment, filling in the blank myself.
Son…we just have to know--have you been captured by any supervillains lately?
            Son…your mother and I found these explosives in your closet. Care to explain how they got there?
Son…your mother and I think it’s time we told you about how you, you know, came into this world...
            “Did we do anything to...upset you?” he asks.
            “Huh?” There's a pretty long list of people who have upset me recently, some of them dressed as bumblebees, but my parents definitely aren't on it.
            “You’re mother and I—we just want to know if we’ve…done anything or said anything…to…I don’t know… make you angry…or anything.”
            Where is this coming from? I take another nervous sip. “Um…"
            “Anything that might make you think we don’t support you…or your decisions…”
My decisions? They do know. They must know. Or maybe not. Maybe they just think I'm gay. That would be a relief.
            “No. No….Nothing that I can think of.”
            “We understand that you're a teenager now, and you've got your friends, and your club, what is it again, the Help the Environment Regrow something?”
            “Highview Environmental Reclamation Organization,” I say automatically.
            “Right. That.”
            He’s bluffing. Has to be. He knows exactly what it stands for. There’s a superhero on the t-shirt, for godssake. Mr. Masters is going to be mad. I’ll probably get kicked out. Maybe that’s not such a bad thing.
            “It's hard. You're always staying after school for something,” Dad continues. “I’m always busy with my work, and Mom’s got her bake club, and her book club, and her classes that she takes…you know, with the clay.”
            “Ceramics,” I say. Last week she made another bowl, bigger than the first four. We keep apples in it.
            “Right. Ceramics. And so we aren’t always around when you need us…Or maybe it seems that way...”
            Like when I'm descending incrementally to my death, I think. Believe me, Dad, I think, that one is definitely not on you.
            “Oh…I know...you guys are totally...always...right there...whenever..." I take another sip, hoping that serves as the end of the thought.
            “Well, I know it can be tough, you know, middle school, and then pretty soon high school, and, you know, girls…”
            I almost spit the soda back into the bottle. It is that conversation. I can't talk about birds and bees right now. I should head him off. Should tell him about the superhero thing. Change the subject. Or just show him the mask and the belt. Maybe he would be proud. His own son, a superhero sidekick in training. We could sit down and make a bomb together. And then we could avoid talking about girls. Or boys. Come to think of it, I have no idea what he's thinking.
            “Dad…”
            “No, let me finish. I know you are going through a lot right now. And you’re trying to figure out where you fit in and what your purpose is, and everything can seem so…you know…blaaaggghhh”
            He actually sticks out his tongue and makes a crazy face when he says this, throwing his hands up and shaking his head back and forth. I really wish he would have just used the word crazy, or hectic. Instead he says blaaaggghhh and acts like he's having a seizure. It’s always so awkward when parents try to relate to their kids.
            “Right. Blah,” I say, shaking my head a little.
            “Right.” 
            He pauses. His eyebrows are having an important meeting at the top of his nose. And I know, the longer this conversation goes on, the worse it will get. The pressure to tell him. To confide in him. He really is a good dad. I'm lucky to have him. Both of them. And yet I've been hiding the most important part of my life from them for over a year now.
            “Dad?”
            “Yes, Drew?” The eyebrows snap back into place. Meeting adjourned
            “Are you okay?”
            He smiles.
            “Yes. Of course. I’m fine. We are just worried, your mother and I. You've just seemed a little…off lately.”
He looks at me with those eyes so full of fatherly concern, both hands on his bottle. And I want to tell him, Yeah, okay, you got me. I have been a little off. See, there's this girl. And I'm a little worried about my Spanish grade. And I still feel guilty about cheating on this math test. And there are a couple of guys at school who give me a hard time. And maybe, just maybe, I'm just a little bit freaked out about nearly dying and stuff, and that some guy with a giant shovel is going to sneak into my bedroom and play home run derby with my head because my Super's too slammed to even know I exist, and at my funeral Jenna will wear too much Purple Passion and cry into Gavin McAlister's rock-hard shoulder, and there just doesn't seem to be anything I can do about it. So yeah. I'm a little stressed right now.

“We just want you to know that we are here for you, any time you want to talk. If there is anything you want to tell us, anything at all, we will listen without judgment. Got it?”

And this is it. This is my chance. Tell him everything.
            “Got it,” I say.
            “Anything at all.” He looks at me, waiting.
            Just say something. “Got it, Dad.”
            “Because we’re here…if you need us.” Pause. Hold breath.
            Really. Honestly. Final opportunity. If there ever was a moment, Drew, this is the one. You can tell him.
            I can't tell him.
“Okay,” I say.
            Oh god, I hope he doesn’t hug me. If he hugs me I’ll lose it. 
            “Okay?”
            “Okay.”
            “Okay.” He puts his hands on his knees and pushes himself off the bed.
            “I’m glad we had this talk,” he says.
            “Me too, Dad.”
I have no idea what we just talked about.
            “Good. Okay. Well,” he checks his watch. “Only a few minutes until CSI. You wanna come watch? Still got homework to do?”
            “I’ve got some reading. And a history test on Friday.”
            “Okay. Well. We’ll just be downstairs if you need us.”
            “Kay.”
            He shuts my door and I let out another deep breath. Then my door opens suddenly opens and I suck it back in again.
            “I’m proud of you, son,” he says.
And then he’s gone. For real this time. I hear his footsteps on the stairs.



About the Author
John David Anderson is the author of Sidekicked and a father of two kids who he has decided will stop growing at the age of ten so that he can avoid awkward conversations like the one above. 

If you want to find out more, meander over to www.johndavidanderson.org or check Facebook at JohnDavidAndersonAuthor.

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